ARCHIJAZZ begins not with a plan, but with a pulse. A single, confident line streaks across the page, a bass note establishing a rhythm. This is the horizon. Then comes the improvisation: swift, gestural lines converge towards a vanishing point, not as rigid guides but as spontaneous riffs. A vertical streak defies the grid, a skyscraper’s bold solo. Curves emerge, not from a compass but from the wrist’s fluid motion, suggesting arches and domes as if played by a saxophonist.
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